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Autotelic Paintings Volume IX

Autotelic Paintings Volume IX

autor:
RODRIGUES SALES
 
editor:
Sociedade Portuguesa de Autores
 
 
ano de publicação:
2026
 
idioma:
Português
 
ISBN:
9789893688045
 
nº de páginas:
148
 
formato:
ileio (leitura online e APP)
 
pré-visualização: Abrir

Jules Verne and Leonardo da Vinci: Captain Nemo, the Revolt Against the Excesses of Civilization, and the Quest for the Unknown There are figures in history and literature who seem to challenge their own age. They are individuals who look toward the horizon and perceive what does not yet exist; restless spirits who refuse to accept the limits imposed by their time. Among these visionaries stand two names separated by centuries yet united by the same creative flame: Leonardo da Vinci and Jules Verne. Leonardo da Vinci, master of the Renaissance, imagined flying machines when humankind was still bound to the ground. He designed submarine devices, studied anatomy, mechanics, hydraulics, and astronomy, anticipating discoveries that would only become reality many centuries later. His curiosity seemed inexhaustible, fuelled by the conviction that human knowledge should know no boundaries. Jules Verne, in turn, transformed scientific imagination into literature. His novels carried generations of readers to the center of the Earth, into the depths of the oceans, to the Moon, and into unknown territories. More than an adventure writer, Verne was a keen observer of the transformations of modernity and of the promises—and dangers—of technological progress. It is precisely at this point that the fascinating figure of Captain Nemo emerges, the protagonist of Twenty Thousand Leagues Under the Seas. Nemo is not merely an explorer of the seas. He is also a rebel. Having broken away from human societies, he chooses to live in the ocean depths aboard the Nautilus, an extraordinary machine that simultaneously represents the triumph of science and the rejection of the excesses of civilization. Nemo’s rebellion is not born of ignorance or fear of progress. On the contrary, he masters science and technology in an extraordinary way. What he rejects are abuses of power, greed, the exploitation of peoples, and the violence carried out in the name of wealth and imperial expansion. The ocean thus becomes his refuge and his territory of freedom, a space not yet subjected to human ambitions. When we bring Captain Nemo closer to Leonardo da Vinci, we discover remarkable affinities. Both represent the relentless pursuit of knowledge and the courage to explore the unknown. Both believe that human intelligence is capable of overcoming seemingly insurmountable barriers. And both remind us that science finds its true meaning only when placed in the service of discovery and human dignity. This book proposes to explore this imaginary meeting between the Renaissance genius and the literary visionary. Throughout the pages that follow, we shall see how Leonardo’s technological dreams found echoes in the inventions described by Jules Verne, and how the figure of Captain Nemo embodies at once the spirit of the inventor, the explorer, and the critic of modernity. In a world where technology continues to advance at a dizzying pace, the reflections of these two giants remain surprisingly relevant. Fascination with the unknown continues to propel humanity toward new oceans, new skies, and new worlds. Yet the fundamental question remains the same: for what purposes shall we use the knowledge we acquire? Between Leonardo da Vinci’s workshop and the metallic corridors of the Nautilus stretches a bridge made of imagination, science, and human inquietude. It is across this bridge that this book invites the reader to walk.

GENERAL INDEX OF PHILOSOPHICAL, PSYCHOLOGICAL, AND AESTHETIC ANALYSES I. Bohemia at Dusk: Reality and Emotion Visual language: realism and emotional interpretation Light, atmosphere, and the construction of space Color and subjective expression Texture and pictorial materiality The observer’s psychological experience The symbolism of bohemia Dialogue between reality and imagination II. Rural Bohemia: Community and Harmony The café as the center of community life Friendship and coexistence as human values Integration between culture and nature Psychological well-being and the sense of belonging Collective memory and the idealization of rural life Bohemia as a space of creation and encounter III. Industrial Bohemia: Melancholy and Social Critique Contrast between welcoming interiors and the industrial exterior Vulnerable childhood and human fragility The psychological exhaustion of workers The tavern as refuge and survival mechanism Critique of the myth of industrial progress Hope in the face of social disillusionment IV. The Dance Hall and Modern Life The aesthetic influence of Degas The fleeting moment and observation of urban life Participation and social spectacle The emotional ambiguity of collective entertainment Modernity as a theater of existence Movement, ephemerality, and the human condition V. Jules Verne and the Worlds of Scientific Imagination The symbolism of the Nautilus Science, discovery, and exploration Captain Nemo and creative isolation The ethical dimension of knowledge Fascination with the unknown Adventure as a metaphor for the human quest VI. Symbiosis Between Photomontage and Landscape Integration between technology and nature Nostalgia for an imagined past The search for spaces beyond industrial civilization Refuge as a philosophical ideal Freedom, escape, and autonomy The psychological archetype of the lost world VII. Symbiosis with Nature The human being integrated into the landscape Overcoming the separation between humanity and nature Memory, roots, and identity Sunset as an existential symbol Chromatic fusion between body and environment The contemporary search for authenticity VIII. Nostalgia for Isolated Nature and the Rural World The landscape as idealized memory Harmony between dwelling and natural environment The philosophical legacy of Romanticism Nature as a space of authenticity Psychological refuge against urban life The desire for deceleration and contemplation The search for a more integrated existence IX. Cross-Cutting Themes Memory and nostalgia Nature and civilization Community and isolation Progress and social criticism Imagination and reality Refuge and belonging Time, contemplation, and silence Art as the reconstruction of lost worlds The human search for meaning and reconciliation with nature Note From bohemia to rural landscapes, from dance halls to the Nautilus, a common thread emerges: the search for physical and symbolic spaces where human beings may reconcile themselves with their own inner lives, with others, and with nature, in the face of the transformations of modernity and the anxieties of existence.

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Leitura online: um utilizador por sessão (sem simultaneidade)
Leitura offline (com a APP): máximo de 2 dispositivos em simultâneo

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